A relatív és abszolút szolmizáció kialakulásának és alkalmazásának története

Abstract

In the musical pedagogic solmization has two meanings. In the term's narrow meaning, it denotes a system of combination of sounds (ut, re, mi, fa, sol, la), which was suggested in the XI century by Guido di Arezzo s to denote levels of hexachord. In its wider meaning, the term is used to denote singing combination of sounds: a) absolute solmization - singing melodies and naming the sounds which correspond to their absolute pitch (sol-fa); b) relative solmization is a system which uses syllables to denote the function of notes rather than absolute pitch.